Rosalind Scarf

Since designing my Rosalind DNA back in summer 2006, I've made six of the things. And given away each and every one of them, I decided it was high time I made one for me (plus it's been featured in WIRED. How can I not have my own version?). I've been talking about it for ages, but was inspired to finally cast on by some of my students, who are currently knitting the history of genetics.

The scarf employs a technique called illusion knitting (sometimes know as shadow knitting). When viewed straight on, it just looks like slightly wonky stripes. When viewed from the knitting's edge, however, this wonky-texture reveals itself as carefully placed bumps and gaps, and presents a hidden image. This is a picture taken while I'm wearing it, looking down my front, along the line of the pattern.




Illusion knitting is notoriously hard to either describe in words or photograph, so I've embedded a short video. There's another side-view shot at the bottom of this post, along with a picture showing the back of the scarf, where you can see a sort of fossil of the pattern. This is probably the best photo I've seen of this pattern though (i.e. not by me, and using a better contrasting set of yarns).




DNA and illusion knitting could be made for one another. Looking across the scarf, the ladders of the striping pattern twist round those of the helix as purls and knits start to bunch together to display a regular shape (at least for those initiated on how to look). The pattern's title is inspired by Rosalind Franklin (google it), and, because I thought a family reference would be appropriate, a cousin of mine.

I think my favourite illusion knitting pattern is the Cheshire Cat 'Wonderland' socks. I love illusion socks. Straight on, and it's just stripy, point your toes and the cat is revealed. With valentines soon upon us, I should probably mention the lovemeknot socks too.

The Rosalind pattern is available for download on ravelry - or through googledocs (though if you are a knitter and read blogs, er, why aren't you on ravelry?). Knit-geeks who want details of yarn, pattern mods and needles can also check the project's ravelry page.

Warming jumpers and balling yarn

Happy New Year. I'm sneaking in a quick blog post between start-of-term business and our impending house-move next weekend (no huge life-dramas: it's just that the land-lady's selling up and we're only moving a mile away, but moving is a hassle).

I thought I'd share a recent experience in balling some yarn of my mother's, in case the info is of any use to fellow knitters. Exhibit one: some pretty, but very tangled and very, very slippery yarn.

My mum bought it in Damascus (here). From my own experience with a lace-weight version of the same yarn, I predicted it would be a humongous pain to ball. Loads of tangles, and so slippy you leave it un-gripped for a millisecond and the ball falls to pieces (creating more tangles in the process). I warned her, and insisted she came round to use our swift and ball winder.

I was right about the tangles and slipperiness. About 1/8th of the way through we decided to ditch the idea of the ball-winder (it just slipped off it, you had to hold the ball in your hand the whole time...). We needed a bobbin which could readily be passed through un-doing knots. We looked around the table and spotted some rolls of parma violets I had lying around ready to be sent off to a friend who lives in the states.

They worked REALLY well. The thick pen-like shape was great for wrapping yarn around whilst keeping tight in your hand, as well as pointing through the knots. We then balled the yarn (by hand) from these bobbins and kept the balls secure with some tissue paper and rubber bands. It still took several hours: the finished knitting pieces from this yarn better be worth it!

If you don't know what these Parma Violets things are, they are UK-sweeties (candy if you really must), flavoured with violets. You either love or hate them. See a close up of the 'bobbin' here.

I'll finish with a couple of FO shots - pieces finished over the Christmas break, my last knitting of 2009.

It's the Wedgewood blouse from IW Knits Summer 2006 (but modified as a woolly jumper), and a super-simple top-down raglan cardigan. Ravelled here and here respectively. The yarn for both comes from aborted attempts at Demi (rav link). Which, using yarn from a first-day-of-the-sales trip to John Lewis, is my current WIP. I've modified to work it as a top-down raglan, but I'm a little worried I won't have enough yarn. Wish me luck.

knit grumps of a WIP (plus a nice FO)

My attempt at the Pretty as a Peacock shawl is kicking my bottom. Doesn't it look pretty up there? Pah! That was *four* false-starts ago.

First, I changed my mind about gauge, and I frogged and started again. The yarn pictured is Fyberspaces infinity, held double. Once the gauge was sorted it was going along pretty well, but I still felt the yarn wasn't the best match for the pattern: the thicker, shinier and evenly-dyed silk I bought in Damascus would do a better job. Again, I frogged and started again.

But this yarn is so slippery if a stitch falls even a little, it'll fall all the way to the end (imagine the complete opposite of kidsilk haze). Plus the pattern, at least in the first few charts, isn't regular enough that its easy to see how to neatly bring the stitch. I'm normally pretty good at using a crochet hook to bring dropped stitches up from several rows down - I'll happily turn cables around the other way or re-situate lace. But for some reason I can't get my head around this one. So, there's been two further full frogs. Grrr.

In happier news, I finished a cardigan, and I love it - even if I do seem to look especially grumpy in all the photos.

Its Rambling Rose from Rowan 39. I'd made this ages ago but it came out way too big. Plus, I thought a longer version would look nice, and I much preferred the ones I saw in ravelry which had been made out of a springy wool rather than the recommended cotton. The restult is the basic idea and charts of Rambling Rose, but done as a top down raglan with a load of side shaping. It fits perfectly, and is a pretty and practical cardi. A nice bit of warmth over a tee for the warmer months. Details of yarn, needles etc can be found the project's ravelry page.

In even happier news, Lara is coming round for afternoon tea, so I'm going to put the annoying knitting away, getting out some plain old stocking stitch to talk-and-knit with and putting on a batch of maple-syrup scones (they have oats in them and make the kitchen smell gorgeous, recipe from this book. Eat them with marmite: it shouldn't work but it really does).

FOs: two lace shawls

Two FOs. Both shawls, both lace, both woolley. Both photographed in Regents park (Marcus' workplace is right next to the park, we sometimes go for a wonder at lunchtime if I'm working at a library nearby). First up, a dk-weight tweedy Aeolian.

I did the pattern for the shoulderette, but in heavier yarn, so its nearly as big as a shawl - still pretty much a shoulder warmer though. The yarn is a scottish silk/ merino mix I bought at iknit, along with some bamboo dpns in a last minute 'what if Heathrow try to confiscate my knitting' before leaving for Turkey last month. So actually started it, old-school style, on a set of dpns. It got large enough to be very squashed up them very quickly, so as soon as I got home, I swapped to a circular.

About two thirds of the way through I started to wonder if I liked the big leaf-like frilly edges at the end (they didn't seem to balance the start of the pattern), but as soon as I blocked it and tried it on I could see how well it worked. I'm pleased with this FO. As ever, full details on the project's ravelry page.

Finally, a green Icarus (Interweave Knits, Summer 2006). Again, full details on the project's ravelry page, including links to more photos on flickr.

I wanted to make Icarus for ages - I bought the summer 2006 IW espeically for the pattern. First I could't find the right yarn. Then I was put off by people saying the stockingette was dull (it wasn't). Finally, I rolled my sleeves up and got on with it. Again, this is done with heavier weight yarn than called for (although the gauge isn't that far off - its knit a lot denser), but one of the lovely things about the pattern is it is easy to make it larger or smaller, depending on taste/ available yarn. I used Old Maiden Aunt sockwool* and changed skein at the point I started on second lace pattern for the end section. This was handy because one skein was slightly more variegated than the other: the break in patten hides the slight difference in yarn, and I like all the extra colour on the feathery bits.

My brother's wedding's won't be happening, so I have less of a deadline for the silk lace shawls I was planning. Still, I've already the completed the first chart of Pretty as a Peacock using the purple yarn I bought in Damascus. A sunny summer has been forecast for England, so I'm imagining lots of outdoor cocktail parties for which I'll need an elegant wrap (More likely: muddy festivals. Most likely: sitting at my desk writing conference papers. But a girl can dream).

* Part of the 'homecoming' collection: the Scottish Parliament have successfully emotionally blackmailed me into celebrating my heritage through consumer goods.

Damascene Silk

Yes. I've been knitting in the desert. Those are Roman remains in the background (Palmrya). The project is a top-down take on Rambling Rose. 

My baby brother's been working in Damascus this year, so my Mother and I decided a visit was in order.  The last family holiday together before baby-bro gets married in the summer. Mum and I flew into Istanbul then made the rest of the trip overland.  We explored Crusader castles, sacred churches and mosques (e.g. where St Paul had his sight returned), amazingly empty Roman ruins, drank minty lemonade and generally pretended to be Agatha Christie (we had coffee in the hotel where she wrote Murder on the Orient Express). I've put some of my favourite photos at the trip at the end of this post, but first: the yarn. 

After managing to avoid anything more yarny than spotting a lady knitting socks outside Istanbul university, on our last day I discovered a little store hiding in the spice souk of Damascus's old town. Surrounded by a heady scent of cinnamon, cardamon and freshly ground coffee were shelves upon shelves full of gleaming silk, all in the deepest, brightest colours. Plus, possibly the rudest shop-keeper I've ever met (though I suspect he was watching the shop for a friend, he seemed to care so little about selling anything). Above are some of the yarns I saw, these are the two I bought. 

I had just bought 3000m of cobweb purple silk from Fyberspates, but the aforementioned baby-bro wedding is set to be a giant Malaysian/Scottish triple-event extravaganza, so I've been planning a bit of a summer of lace as it is. 

Jumpers. Snow & Pie.

Before we get onto the knitting, my contribution to London(ish) knit bloggers' delight in our recent snowfall. As well as the odd juxtaposition of British phonebox and New York Cab, I love the red and yellow shining in all that white light.

Unfortunately, getting me, daylight, snow and photographer all outside at the same time proved impossible, so these FO shots are quite thawed. Plus, it is still bleeding cold, so it was a matter of running round the corner to the park behind our house, taking photos, running in to de-frost and change jumper, then running back.

Firstly, O W L S. Even ignoring the wonder of the owls, this is a very well written yoke pattern - I may use it for a plain jumper. I loved the waist-shaping at the back, though if it does mean the unworn jumper looks a bit like it has a bustle (this might be because I gave it an extra inc and dec set to accommodate the smaller row gauge and my over-average height) The owls are fun and cute, but the button-eyes give a pretty detail and though I'm wearing jeans here, it looks smart paired with a plain black skirt, grey tights and boots.

I wasn't sure the owls would be dramatic enough in lighter yarn, but I like them now they are all done and have eyes. I was also worried I’d run out of yarn as the seller only had five left, so I decided to err on the side of a smaller size. The result is tight, but works - I’d much rather this way that too big. I needed have worried about the yarn: I've got a ball to spare (I got the yarn on sale - even with the buttons, a very cheap project). The other worry was that I didn't suit yoked sweaters, but I'm actually quite pleased with it. Despite all these concerns, I was completely convinced by the pattern. Not just for those of us who read The Owl Who Was Afraid of the Dark too much as a child, a properly lovely jumper. Full stats on ravelry.

I also finished a purple tweed jumper (ravelry page here). But it's really plain, so I'll finish with a shot of some hot cherry pie I made last night instead. Because that's what we need in this weather. Warm jumpers and hot puddings.

moving

This was meant to be a messy tuesdays post. But of course, I'm behind, and its now wednesday. I've decided that is appropriate.

We moved house over a week ago now, but we're not entirely unpacked yet and the mess is starting to upset me. Every time I walk across a room, I trip over something that hasn't got a home yet. So, to save my sanity, this photo utilises the macro setting to blur it all out behind a kitchen utensil*. I have too much work to do this week** to worry about the rest of the unpacking.

It will get sorted in evenings and at the weekend(s). Eventually. And then the house will be lovely. We've bought a great bed, which actually has bookshelves built inside the base (its called a 'library bed'). That's got to help the unpacking.

There has been some knitting amongst all of this. Its a cotton tee with a heart texture pattern. Not very much, as the moving, cleaning, phoning up utilities companies (don't get me started on BT...) and general screaming into the abyss of boxes hasn't really left much time for yarn. Plus, as predicted, the bicycle has been a serious competitor to knitting. I hope it'll be done in a couple of weeks though, then I'll write up the pattern.

* I'm not entirely sure what this utensil is. We use it for fishing pasta out of water. Sort of like a slotted spoon, but wire based - more slots than spoon.

** I start my new job today. This afternoon, I'm moving offices.

contest: purple sock yarn

Blog contest in celebration of finishing my thesis - guess the number of references in my bibliography. Deadline for answers is 5pm, Thursday 24th July 2008 Friday 25th July (London time). The closest guess wins this skein of sock yarn.

Its a wool and bamboo mix, dyed by me. 100g, it comes in at about 420 meters - plenty for a pair of socks. From a smoke and pet free home, though it does still smell a bit of grape-flavoured koolaid (my dye of choice). I might throw in some other purple-themed goodies too if I find anything worthy. In event of a tie, I'll pick one winner at random. No one who has read the thesis can enter.

Some clues to get you going:

• It includes both primary and secondary sources.
• The actual thesis content these sources support comes in at just under 100,000 words.
  
• My case study is this series, though I mentioned many other primary examples, and my secondary source list was much longer.
• My media studies inclined colleagues felt it was a bit citation-heavy, the litcrit types thought it was sparse.
• The photo below shows the thesis open at the page the bibliography starts. There are no appendixes after that. It is 1.5x spaced, in 11pt font on A4 paper.
• Its more than fifty, less than three thousand.
• You might as well guess something random. When I tried to guess, I was a good hundred off, and I wrote the bleeding thing.
  

EDIT: I mean 'closest' as in nearest guess either way (you can go over). So, if the answer was 7586 and no one gets that but someone gets 7588 and another 7584, I'll pick one of the two out of a hat.

Finished (ish)

I've always wanted to take a photo of something I've knitted from the wearer's point of view, but I've never had a good enough camera before. You will have to excuse these 'in the mirror' shots - no time for a proper photoshoot.

Anyway, the FO is Catriona by Debbie Bliss. I had wanted to make this top for ages (I just loved the cable pattern) but convinced myself that buying yet another knitting book for just the one pattern was an extravagance. Then I discovered the wonders of prima magazine's online knitting archive. The project is ravelled here, but the stats for blog record are as follows:

Needles: 3.0 mm & 2.5 mm addi circs.
Yarn: 6.5 skeins of Rowan RYC Cashsoft 4 Ply in 'monet'. The first skein was a christmas present from my brother, I just added a few more to make it into a whole garment - thanks for the inspiration Jim!
Mods: I worked in the round till v-neck divide, then seporate pieces flat. I contemplated steeking, but was too much of a wimp. Only two little seams for the shoulders, which if I'd been thinking I could have kitchenered. As usual, I did the entire thing without the aid of a cable needle. I also sketched out a chart as, it being a Debbie Bliss pattern there wasn't one and I prefer things pictorially.

The project actually started out as the chevron lace top from Romantic Style (wip shot here). I also adapted that to work in the round, but just after I divided for the arms I decided it wasn't nearly as nice as it looked in the pattern photos (especially the non-lace bits under the armpits), so frogged it down to the ribbing.

I'm very pleased with it, the sleeves are way more flattering than I thought they'd be - I might work up a design using similar sleeves if I have time this summer.

And in non-knitting life, here's a very nearly done work-in-progress and a very exciting 'finished object'. The wip is a print-out of my thesis. My 2nd-supervisor wanted a paper copy to read from, and because I'd just been treating it electronically, only occasionally printing a chapter at a time, I'd not really had an idea of its size before. Thank goodness I inherited a box of my Dad's giant paperclips (he orchestrated film scores, he needed good paperclips). The FO is a book of academic essays I co-edited.

Today is 'polishing off conclusion day'. Then I'm emailing the thesis to my mum for a proof-read and running off to Oxford for the weekend for a History of Science conference.

demi-done

I've taken ages to post about this. I finished in March. It's been hard to find a time when me, a charged camera battery, a photographer and light have all be in the same place, but it's also because I haven't entirely decided whether to give it a thumbs up or down.

Its Demi, from Rowan Vintage Style made in Cash Iroha bought half-price in the John Lewis sale. All details in the ravelry page. I'd been wanting to make demi for years. Faced with a sweater's worth of aran weight yarn after the sale, I was desperate to demi-it.

I checked through ravelry for other FOs in the yarn, and again and again the same line came up "Oh, Cash Iroha, how you do grow!" I knew demi shouldn't be loose, so I asked around and was told it didn't grow that much. And I was good. Not only did I swatch properly, but I washed and seriously blocked it before taking stitch and row measurements. I went down several needle sizes and it all seemed to be on track. But, you can guess. It grew.

The pattern does work as a baggy jumper. The side-shaping and twisted rib keep the looseness of the yarn in check, meaning its still reasonably comfortable and (relatively) flattering. Most people seem to use the hourglass sweater patten with Cash Iroha for the same reason. Still, it's not the image I had of the pattern in my mind. Demi is a tight, fitted and nipped in smart garment, not a big softy-sack. And you have to remember that I've had that image in my head for years.

In conclusion, it's a thumbs up of an FO. But my craving for a demi is not sated. Next autumn I'll make another one in a more conventional yarn. It'll be re-gauged to dk, and as a top-down raglan. Because life's too short for all those back-to-front purls on the WS of the twisted rib, and I think the shoulder button detail will look cute on the raglan angle.

In the meantime, I'm looking for a stitch pattern with virtually no stretch. Any ideas?

unfinished

Ravelry didn't kill the knitblog. If anything, it's inspired more people to set them up. I do think, however, there's been a dearth of work in progress posts since the advent of ravelry. If you know your current new cast-on will make it through friend's activity pages, why blog-up their blogroll too? But there is a place for moments taken to sum up works on the needles; time out to consider the process. It being a messy tuesday I thought I spend some time, on my blog, pausing to consider a few incompletes in my life.

Above is a stole I've just started. Muir, to be precise, and in the yarn the pattern calls for, artfibers Tsuki. It's so rare I ever follow yarn specifications, it came as a bit of a surprise to me to realise I'd inadvertently done what I was told. I think it's going to bit a WIP for a while. I have to look at it when I knit, so not great for knit groups, knitting while chatting at home, or knitting in front of the television. It is small, and I had planned it for bus-knitting, but the yarn's so slippery it's hard to knit on a moving vehicle.

Next, is my Demi, in Cash Iroha bought in the John Lewis post-Christmas sale. It's knitted. It's even seamed, and this shot was taken while it was drying after having been washed and blocked. It is however, still without buttons. I had just over a ball left over of the yarn, so I've cast on for a beret. Neither this, or the jumper itself is especially seasonal. I started this back in January, thinking there'd be plenty of time to wear it this year, but things kept getting in the way. I thought it'd still get a wearing after the snow over Easter (in London, yes, the first snow of the year, a week before we swap from GMT to British Summer Time). But its been raging sunshine the last few days. And not the crisp cold kind of sunny either.

Finally, it's my biggest WIP of all, the thesis. Please note the 'horrible' in the document title isn't a comment on the work, as much as a reflection of the case study. As I seem to be saying to people daily at the moment, it's ok, it's getting there. It's getting there slowly, but it is going to be 90,000 words (plus or minus 10,000 words or so), good-quality words at that, so you shouldn't expect speed. And it is getting there.

Two FOs: red hats and purple scarf

I thought I'd knit my mum red hat and purple scarf for her 60th birthday (a reference to this poem). I chose my yarn and patterns, and planned to complete the projects during my trip to the USA.

But knitting doesn't always go to plan.

For the red hat, I planned fair-isle, mixing some red 4ply soft with opal uni in a chocolate brown. I designed a chart, cast on at Gatwick airport and, as the plane made its way to the other side of the Atlantic, got about half way through. But as we landed, I decided I didn't like colour combination in fair-isle, and frogged the lot (the brown yarn and chart pattern became these mittens). Stranded in DC with limited internet and a whole ocean away from my pattern book collection (not to mention needles), I was a bit stuck for what to do. I had a 3.25mm circular with me to make the scarf, so did a gauge swatch with the yarn held double, trying out the cable pattern I could do from memory (I'd just used it in this sock).


It worked pretty well, and the double-held soft yarn made for a lovely warm and squishy hat. I'm particularly proud of the the in-pattern crown decreases. I don't know if I could write out the pattern, as the whole project was pretty free-form, but I'll maybe have a go if I have time before Christmas.


This half of the project completed, I cast-on for a lace scarf. Swallowtail in a soysilk laceweight which I planned to dye purple once knitted-up. I worked out how to add pattern repeats to make it big enough, and got most of the way through. But the p5tog's in the boarder were my undoing. I mis-placed one (knitting lace while gossiping...) so frogged a few rows back to re-do them. But the p5tog's acted as a knot, and I literally had to rip it apart, cutting the yarn to bits. As I did this, a load more unravelled in a way I couldn't possible pick back up (and I'm pretty good at using a crochet hook to re-knit a few rows down). More ripping. So much that I lost more yarn than I could spare - I wasn't going to have enough left to re-knit the ripped bit and finish the thing.

Bye bye soy-swallowtail. You can see a picture here. It is the only thing I've knitted that has actually ended up in the bin.

By then I'd got to California, so visited Artfibers in San Francisco hoping to find something special enough to make a replacement with. What a shop! They have the most beautiful, unusual yarn. They also have mini-skeins you can knit with to see if you like it and try out stitch patterns. There are examples of swatches and pictures of finished pieces hanging up all over the place for inspiration. It has a really relaxed and friendly environment too, yet also extremely professional (photos here and here). As soon as I cast on with their Alfabeto, I knew it was perfect - so warm and silky, yet also very light. It has a very dark purple base, almost an oily black, with bits of blue, pink and red shot through (I couldn't get a photo which did it justice). It's 76% silk, 19% mohair, 5% wool - gorgeous stuff.


As a variegated yarn, I decided I'd go for a relatively simple garter-stitch based seafoam stitch, which also gives it a nice drape. It took a bus trip from San Francisco to LA, the plane from LAX to JFK and several commutes to and from work once I was home to finish, but I got it done in time for the birthday itself. I'm really pleased with it, though I think the credit goes largely to Artfibers for such delicious yarn.


So, neither piece was quite what I was planning, and all improvised on the road. But I was pretty pleased with it in the end.