Warming jumpers and balling yarn

Happy New Year. I'm sneaking in a quick blog post between start-of-term business and our impending house-move next weekend (no huge life-dramas: it's just that the land-lady's selling up and we're only moving a mile away, but moving is a hassle).

I thought I'd share a recent experience in balling some yarn of my mother's, in case the info is of any use to fellow knitters. Exhibit one: some pretty, but very tangled and very, very slippery yarn.

My mum bought it in Damascus (here). From my own experience with a lace-weight version of the same yarn, I predicted it would be a humongous pain to ball. Loads of tangles, and so slippy you leave it un-gripped for a millisecond and the ball falls to pieces (creating more tangles in the process). I warned her, and insisted she came round to use our swift and ball winder.

I was right about the tangles and slipperiness. About 1/8th of the way through we decided to ditch the idea of the ball-winder (it just slipped off it, you had to hold the ball in your hand the whole time...). We needed a bobbin which could readily be passed through un-doing knots. We looked around the table and spotted some rolls of parma violets I had lying around ready to be sent off to a friend who lives in the states.

They worked REALLY well. The thick pen-like shape was great for wrapping yarn around whilst keeping tight in your hand, as well as pointing through the knots. We then balled the yarn (by hand) from these bobbins and kept the balls secure with some tissue paper and rubber bands. It still took several hours: the finished knitting pieces from this yarn better be worth it!

If you don't know what these Parma Violets things are, they are UK-sweeties (candy if you really must), flavoured with violets. You either love or hate them. See a close up of the 'bobbin' here.

I'll finish with a couple of FO shots - pieces finished over the Christmas break, my last knitting of 2009.

It's the Wedgewood blouse from IW Knits Summer 2006 (but modified as a woolly jumper), and a super-simple top-down raglan cardigan. Ravelled here and here respectively. The yarn for both comes from aborted attempts at Demi (rav link). Which, using yarn from a first-day-of-the-sales trip to John Lewis, is my current WIP. I've modified to work it as a top-down raglan, but I'm a little worried I won't have enough yarn. Wish me luck.

Summer

Without getting too bogged down in a stream of "bad blogger, look how long it has been since I posted", I've not really had much time for knitting, let alone knit-blogging the last few months. I was pretty ill for a couple of weeks (not H1N1 - I wasn't that ill, more incredibly wipe-you-out bad cold than actual flu). Also, it's been summer, so reasonably hot (at least at times, for old Blighty) and I've just not been feeling the desire to produce warm clothes. Plus, it's been the summer, so I've had loads of marking and research to catch up on. And, it's been the summer, so I've been enjoying the outdoors and cycling loads (still haven't mastered the art of knitting whilst cycling).

I'll start with a shot of an FO I finished a while back, but didn't get around to posting. Full details through ravelry. It's a second version of a top I made last summer. The first one was, I felt, a tad on the baggy side. This one, I fear, is a tiny bit small. It's nice enough though, and I do like how the cables pop.

Some things I've been up to whilst not knitting. Felix came round for afternoon tea. I cycled from Henry Tate's Grave to the Tate & Lyle factory via a pair of Tate Libraries and both London Tate Galleries. I read a lot of kids books about being green. Marcus and I had a long weekend in Amsterdam.

To finish, a shot of my new FO. I've been to a couple of conferences recently. For me, conferences equals knitting time (if only for the 6 hour train journey home) so I have actually got a reasonable amount done. It's a stripy top-down raglan, yellow and brown. So I can pretend to be a bee.

Jumpers. Snow & Pie.

Before we get onto the knitting, my contribution to London(ish) knit bloggers' delight in our recent snowfall. As well as the odd juxtaposition of British phonebox and New York Cab, I love the red and yellow shining in all that white light.

Unfortunately, getting me, daylight, snow and photographer all outside at the same time proved impossible, so these FO shots are quite thawed. Plus, it is still bleeding cold, so it was a matter of running round the corner to the park behind our house, taking photos, running in to de-frost and change jumper, then running back.

Firstly, O W L S. Even ignoring the wonder of the owls, this is a very well written yoke pattern - I may use it for a plain jumper. I loved the waist-shaping at the back, though if it does mean the unworn jumper looks a bit like it has a bustle (this might be because I gave it an extra inc and dec set to accommodate the smaller row gauge and my over-average height) The owls are fun and cute, but the button-eyes give a pretty detail and though I'm wearing jeans here, it looks smart paired with a plain black skirt, grey tights and boots.

I wasn't sure the owls would be dramatic enough in lighter yarn, but I like them now they are all done and have eyes. I was also worried I’d run out of yarn as the seller only had five left, so I decided to err on the side of a smaller size. The result is tight, but works - I’d much rather this way that too big. I needed have worried about the yarn: I've got a ball to spare (I got the yarn on sale - even with the buttons, a very cheap project). The other worry was that I didn't suit yoked sweaters, but I'm actually quite pleased with it. Despite all these concerns, I was completely convinced by the pattern. Not just for those of us who read The Owl Who Was Afraid of the Dark too much as a child, a properly lovely jumper. Full stats on ravelry.

I also finished a purple tweed jumper (ravelry page here). But it's really plain, so I'll finish with a shot of some hot cherry pie I made last night instead. Because that's what we need in this weather. Warm jumpers and hot puddings.

Finished (ish)

I've always wanted to take a photo of something I've knitted from the wearer's point of view, but I've never had a good enough camera before. You will have to excuse these 'in the mirror' shots - no time for a proper photoshoot.

Anyway, the FO is Catriona by Debbie Bliss. I had wanted to make this top for ages (I just loved the cable pattern) but convinced myself that buying yet another knitting book for just the one pattern was an extravagance. Then I discovered the wonders of prima magazine's online knitting archive. The project is ravelled here, but the stats for blog record are as follows:

Needles: 3.0 mm & 2.5 mm addi circs.
Yarn: 6.5 skeins of Rowan RYC Cashsoft 4 Ply in 'monet'. The first skein was a christmas present from my brother, I just added a few more to make it into a whole garment - thanks for the inspiration Jim!
Mods: I worked in the round till v-neck divide, then seporate pieces flat. I contemplated steeking, but was too much of a wimp. Only two little seams for the shoulders, which if I'd been thinking I could have kitchenered. As usual, I did the entire thing without the aid of a cable needle. I also sketched out a chart as, it being a Debbie Bliss pattern there wasn't one and I prefer things pictorially.

The project actually started out as the chevron lace top from Romantic Style (wip shot here). I also adapted that to work in the round, but just after I divided for the arms I decided it wasn't nearly as nice as it looked in the pattern photos (especially the non-lace bits under the armpits), so frogged it down to the ribbing.

I'm very pleased with it, the sleeves are way more flattering than I thought they'd be - I might work up a design using similar sleeves if I have time this summer.

And in non-knitting life, here's a very nearly done work-in-progress and a very exciting 'finished object'. The wip is a print-out of my thesis. My 2nd-supervisor wanted a paper copy to read from, and because I'd just been treating it electronically, only occasionally printing a chapter at a time, I'd not really had an idea of its size before. Thank goodness I inherited a box of my Dad's giant paperclips (he orchestrated film scores, he needed good paperclips). The FO is a book of academic essays I co-edited.

Today is 'polishing off conclusion day'. Then I'm emailing the thesis to my mum for a proof-read and running off to Oxford for the weekend for a History of Science conference.

demi-done

I've taken ages to post about this. I finished in March. It's been hard to find a time when me, a charged camera battery, a photographer and light have all be in the same place, but it's also because I haven't entirely decided whether to give it a thumbs up or down.

Its Demi, from Rowan Vintage Style made in Cash Iroha bought half-price in the John Lewis sale. All details in the ravelry page. I'd been wanting to make demi for years. Faced with a sweater's worth of aran weight yarn after the sale, I was desperate to demi-it.

I checked through ravelry for other FOs in the yarn, and again and again the same line came up "Oh, Cash Iroha, how you do grow!" I knew demi shouldn't be loose, so I asked around and was told it didn't grow that much. And I was good. Not only did I swatch properly, but I washed and seriously blocked it before taking stitch and row measurements. I went down several needle sizes and it all seemed to be on track. But, you can guess. It grew.

The pattern does work as a baggy jumper. The side-shaping and twisted rib keep the looseness of the yarn in check, meaning its still reasonably comfortable and (relatively) flattering. Most people seem to use the hourglass sweater patten with Cash Iroha for the same reason. Still, it's not the image I had of the pattern in my mind. Demi is a tight, fitted and nipped in smart garment, not a big softy-sack. And you have to remember that I've had that image in my head for years.

In conclusion, it's a thumbs up of an FO. But my craving for a demi is not sated. Next autumn I'll make another one in a more conventional yarn. It'll be re-gauged to dk, and as a top-down raglan. Because life's too short for all those back-to-front purls on the WS of the twisted rib, and I think the shoulder button detail will look cute on the raglan angle.

In the meantime, I'm looking for a stitch pattern with virtually no stretch. Any ideas?

domestic saturday

As a balance to the last two messy tuesdays posts, here is one based on a day of domesticity. Though I dare say you can spot some mess at the back of a few of the shots. The day started with a shower, a bit of a tidy of the kitchen and a check of jobs.ac.uk, followed by a lengthy deconstruction of pantomime cross-dressing over brunch at a local cafe with Marcus. He pottered off to the football, and I picked up some groceries on the way home. I only went in for bread flour, but there was a special offer on frozen raspberries.


So now we have 9 jars of jam. I do like raspberry jam. While doing the washing up, I found an Agatha Christie on the BBC7 iplayer. I not only know whodunit, but could virtually recite the script verbatim, but Miss Marple is one of my favourite guilty pleasures. This one even starts with a knitting; a dropped stitch and skein of blue wool to be exact. So, during the rest of the radio play there was a bit of knitting from me. Socks, using 'magic-magic loop' of two-on-one-needle, I'm making the pattern up as I go.


Then some baking. Kirsty and I, in a moment of whimsy earlier in the week resolved to make a cake in celebration of the return of Dr Who, challenging ourselves to include ingredients starting with the letters d, r, w, h and o. So, a carrot cake with dates, raisins, wholemeal flour, honey and the juice of an orange. We baked it in a loaf tin and covered it in blue icing, full results here. We made up a couple of mini-muffins with the leftover mix, TARDIS door-knobs?


After that little excursion into geekery (unusual for either of us), we completed the day in relative elegance with some pre-dinner cocktails. Because one should always keep a bottle of cava and some cassies on hand. Take that Nigella.

Tomorrow, I work. Marking exams.

unfinished

Ravelry didn't kill the knitblog. If anything, it's inspired more people to set them up. I do think, however, there's been a dearth of work in progress posts since the advent of ravelry. If you know your current new cast-on will make it through friend's activity pages, why blog-up their blogroll too? But there is a place for moments taken to sum up works on the needles; time out to consider the process. It being a messy tuesday I thought I spend some time, on my blog, pausing to consider a few incompletes in my life.

Above is a stole I've just started. Muir, to be precise, and in the yarn the pattern calls for, artfibers Tsuki. It's so rare I ever follow yarn specifications, it came as a bit of a surprise to me to realise I'd inadvertently done what I was told. I think it's going to bit a WIP for a while. I have to look at it when I knit, so not great for knit groups, knitting while chatting at home, or knitting in front of the television. It is small, and I had planned it for bus-knitting, but the yarn's so slippery it's hard to knit on a moving vehicle.

Next, is my Demi, in Cash Iroha bought in the John Lewis post-Christmas sale. It's knitted. It's even seamed, and this shot was taken while it was drying after having been washed and blocked. It is however, still without buttons. I had just over a ball left over of the yarn, so I've cast on for a beret. Neither this, or the jumper itself is especially seasonal. I started this back in January, thinking there'd be plenty of time to wear it this year, but things kept getting in the way. I thought it'd still get a wearing after the snow over Easter (in London, yes, the first snow of the year, a week before we swap from GMT to British Summer Time). But its been raging sunshine the last few days. And not the crisp cold kind of sunny either.

Finally, it's my biggest WIP of all, the thesis. Please note the 'horrible' in the document title isn't a comment on the work, as much as a reflection of the case study. As I seem to be saying to people daily at the moment, it's ok, it's getting there. It's getting there slowly, but it is going to be 90,000 words (plus or minus 10,000 words or so), good-quality words at that, so you shouldn't expect speed. And it is getting there.

FO: placed cable

This was a project inspired by the yarn. It was a very uncharacteristic impulse buy, which I blame Kirsty for entirely - she sent me to the Liberty's pre-Christmas 20%-off event and, the previous weekend, had me model a gorgeous kid-classic cardigan she'd just finished knitting for an ex-flatmate of ours. Initially, I was planning on knitting Belle Epoque, but as soon as I started knitting up the silky yarn I decided it had to be a cowl-neck, and settled on the simple aran from last autumn's Interweave.


Needles: 3.75mm 80cm addi circular.
Pattern: Placed Cable Aran, Cathy Payson, in Interweave Knits, Fall 2007.
Mods: Extensive, see below.
Yarn: Rowan Kid Classic in 'peat', just under nine balls
Ravelled: here.

I modified in two respects. Firstly, actual design: I lengthened the sleeves, cowl and the body by several inches each, and worked the bottom of the body in the same rib as the sleeves. I also added side-shaping and an extra pattern repeat for the central cable, because I thought a longer line in the middle would be more flattering. Secondly, I worked it in the round, and from the top-down (largely to escape seaming such a dark mohair-mix). I started with the back piece, which I worked flat until I got to the bit where the arms divide. I held these stitches, and cast on two small pieces for the front shoulders. I worked these at once (as you would two sleeves at once) before joining at the neck and then working as one piece until it matched the back. Then I joined to work in the round and it was all knitting from then on. For the arms, I picked up with the circular needle and worked in the round using magic loop. I used a k2tog bind off throughout.



Generally I'm pleased with the result. It is a bit sack-like, even with the side-shaping and using a yarn with good drape. A few people who've made it have suggested set-in sleeves might be a good idea (especially as the aran design is so simple, and doesn't really extend to the sleeves anyway), and I'm inclined to agree. Still, I wanted a reasonably baggy jumper, and it's smart enough to where at work. The yarn is a tad itchy - it is 70% wool, but the mohair and nylon take the edge off so I don't find it uncomfortable. Its so lovely and fluffy (without being too fluffy) and silky (without being too silky). For once, this impulse-buy was a goodun.

Sorry about the rubbish in-a-mirror photos. I did take my camera and boyfriend out to the park on Saturday. But the spring-like weather seemed to have brought hayfever along with decent sunlight, and I just didn't feel like having my picture taken. Also, though I'm generally a believer than no responsible blogger should knit with either dark or fuzzy yarn, I do realise this isn't the most photogenic of projects. I'll finish with an 'I'm a little teapot' shot, so you can see the ribbing at the bottom.

Two FOs: red hats and purple scarf

I thought I'd knit my mum red hat and purple scarf for her 60th birthday (a reference to this poem). I chose my yarn and patterns, and planned to complete the projects during my trip to the USA.

But knitting doesn't always go to plan.

For the red hat, I planned fair-isle, mixing some red 4ply soft with opal uni in a chocolate brown. I designed a chart, cast on at Gatwick airport and, as the plane made its way to the other side of the Atlantic, got about half way through. But as we landed, I decided I didn't like colour combination in fair-isle, and frogged the lot (the brown yarn and chart pattern became these mittens). Stranded in DC with limited internet and a whole ocean away from my pattern book collection (not to mention needles), I was a bit stuck for what to do. I had a 3.25mm circular with me to make the scarf, so did a gauge swatch with the yarn held double, trying out the cable pattern I could do from memory (I'd just used it in this sock).


It worked pretty well, and the double-held soft yarn made for a lovely warm and squishy hat. I'm particularly proud of the the in-pattern crown decreases. I don't know if I could write out the pattern, as the whole project was pretty free-form, but I'll maybe have a go if I have time before Christmas.


This half of the project completed, I cast-on for a lace scarf. Swallowtail in a soysilk laceweight which I planned to dye purple once knitted-up. I worked out how to add pattern repeats to make it big enough, and got most of the way through. But the p5tog's in the boarder were my undoing. I mis-placed one (knitting lace while gossiping...) so frogged a few rows back to re-do them. But the p5tog's acted as a knot, and I literally had to rip it apart, cutting the yarn to bits. As I did this, a load more unravelled in a way I couldn't possible pick back up (and I'm pretty good at using a crochet hook to re-knit a few rows down). More ripping. So much that I lost more yarn than I could spare - I wasn't going to have enough left to re-knit the ripped bit and finish the thing.

Bye bye soy-swallowtail. You can see a picture here. It is the only thing I've knitted that has actually ended up in the bin.

By then I'd got to California, so visited Artfibers in San Francisco hoping to find something special enough to make a replacement with. What a shop! They have the most beautiful, unusual yarn. They also have mini-skeins you can knit with to see if you like it and try out stitch patterns. There are examples of swatches and pictures of finished pieces hanging up all over the place for inspiration. It has a really relaxed and friendly environment too, yet also extremely professional (photos here and here). As soon as I cast on with their Alfabeto, I knew it was perfect - so warm and silky, yet also very light. It has a very dark purple base, almost an oily black, with bits of blue, pink and red shot through (I couldn't get a photo which did it justice). It's 76% silk, 19% mohair, 5% wool - gorgeous stuff.


As a variegated yarn, I decided I'd go for a relatively simple garter-stitch based seafoam stitch, which also gives it a nice drape. It took a bus trip from San Francisco to LA, the plane from LAX to JFK and several commutes to and from work once I was home to finish, but I got it done in time for the birthday itself. I'm really pleased with it, though I think the credit goes largely to Artfibers for such delicious yarn.


So, neither piece was quite what I was planning, and all improvised on the road. But I was pretty pleased with it in the end.

FO: rambling vine socks

Thanks for all your comments on the last post. I've been tracing through comments on other blogs too, and a few threads on ravelry. All interesting stuff. I was contemplating a follow-up post musing on the politics of fantasy, but I really should be channeling such energies into my thesis. Instead, I'll go with an unexcused celebration of one of my personal indulgences, and show off an FO.

It'll be winging its way to a friend as fast as Royal Mail will carry it, along with pattern and yarn for the second sock and some other bobbly-themed goodies (e.g. some beaded icord).

Pattern: My own, based very loosely on Martin Storey's Rambling Rose ("inspired" I think is the term). The vine motif starts at the toe, and grows as you knit, winding itself up the side of your ankle. I'm thinking of developing it further; making it a bit more complex. If I do it again, I'll use a crisper, lighter yarn so its easier to photograph (in real life it looks lovely, but dark colours, fuzz and blogging are not a good mix).

Yarn: Wensleydale Longwool 4ply. I wanted a very English yarn, as my pal's in the US. It's very warm and soft, and apparently it wears pretty well. The fuzz gives it a really yummy, mossy look - a very sniffable yarn.

FO - new pattern

New Knitty, with my Ester pattern is up.

It was named after a very dear friend who died this summer, and in her memory really should be knit in purple.



Click on the photo to go to where there are a few more photos.

xmas FOs (forecast, legwarmers, armwarmers)

I finished three things over Christmas. Count 'em. They were all done and dusted for the start of 2007, but it took me a while to sort photos.


First up, Forecast, which I started during the october knitflicks. I used barginous Rowanspun Aran. Like most tweeds, it magically softened up after washing. The colour looks nicest in sunlight, and nothing like the "caviar" the yarn's named after. But I like it, it reminds me of a nice warming wholemeal bread. It's a bit baggy under the arms, but not terribly so - I could probably have made the size down, but it looks ok and is comfortable. I did the same mods as Guavaseeds, except I kept the 5st bobbles and decreased a few extra sts at the start of the arms. I only used 6 buttons, but they are HUGE ones, which I like the look and feel of.


Illusion legwarmers. Essentially the lovemeknot socks, sans feet. In brown wool leftover from the hotwater-bottle cover striped with cashsoft 4ply to save my feet from itches. Check out the hidden purple hearts! I need more legwarmers, expect at least two more pairs before the cold season is out.


Lastly, some armwarmers. A sort of upside down version of the lace up gloves in Alterknits, similar to Ysolda's laceup opera gloves, but in the round from the cuff down. Two balls dk cashmerino to match my shedir. The best thing about them is that you can stick your thumb in any of the spaces between the ribbon lace-up, they can be armwarmers stuck under the wrist, or super-warm top-less mittens worn high up the hand. I need that flexibility in glove-type things. I may make more.

FO - shedir

Pattern: Shedir from the Knitty breast cancer print edition, downloadable here.
Yarn: two skeins Debbie Bliss cashmerino dk (I have about two thirds of a ball left). I know cashmerino will pill like crazy; not the best for cables. But I don't care. I can't take wool and it matches a scarf I wear all the time that's knitted in the aran weight version.
Needles: 2.75mm addi circs, using magic loop. That is two sizes down from the suggested ones and crazy small for dk weight yarn. I knit loose. I did the whole thing without a cabling needle.

Following Eunny, I only did three repeats of the main braid pattern instead of five. I thought about twisting the knit stitches too, but am feeling a bit "over" the twisted rib at the moment. I wish I'd done a better cast on. I was feeling particularly grumpy when I started it, and just worked knit-along for speed. Cable would have looked much neater.

And a shot from the front. In which I'm knitting Forecast, which is nearly finished. But then it's been nearly finshed for a while...


I know I said I'd stop knitting breasts... It is a breast, and not just because it's pink. Shedir (the title of the pattern) comes from an Arabic word for breast. The pattern notes say to try google if you want to know the title's meaning. Of course, knitting's web presence being what it is, I needed to do a few layers of searches, filtering "hat, cap, knitting, knitty, knit".

I just need to keep hold of this hat. No small feat in the current climate. Yes, a tornado in London - just down the road from my old school. My mother only lives the other side of the park, she was pretty lucky.

And I've swapped to BloggerBeta. Hence the lables.